Unknown dutch traditionalist, 19th century, genre scene: lively practice of a barber-surgeon, cutting hair and operating as a typical characterization of the common guildprofession in styles of the 16th/17th century, oil on wooden panel. Size: 25,0 x 33,0,  with gilden frame 34,0 x 42,0 cm

Governo e cura degli infermi – The Care of the Sick or The Care and Governance of the Infirm is undoubtedly one of the most famous and oldest depictions of the hospital activities in the world. The fresco is one of six painted by the artist from Siena, Domenico di Bartolo (ca. 1400- ca. 1447). Studying this work will not only reproduce some of the hospital's rooms, but also give an insight into its daily life, which from the early fourteenth century was governed by strict statutes. In the middle there are the Rector and the oblats of the hospital. A surgeon is ready to perform wound care manipulation. To the left, representing physical medicine a carer places a patient on a stretcher, while two physicians discuss the results of an uroscopy. Below, in the centre, a servant washes a young man wounded in the thigh, preparing him for surgery. At right, on the other side, a monk confesses a sick man while two orderlies carry into the room a stretcher.

The tooth puller, сolorized French engraving, presumably 18th century, accompanied by three humorous quatrains, depicts the genre scene. The quack tooth-puller looks at the spectator with a sneer, while his hand armed with an instrument is placed in the mouth of the unfortunate patient, who is trying to hold back a cry of pain. Gawkers and potential clients crowded around them, watching the action in horror, amazement and admiration.  The engraving is based on the motif of the painting The tooth puller (1620-1625) by Flemish Theodor Rombouts (1597-1637) which is in the main exhibited collection of the Museo del Prado, Madrid and is one of the outstanding examples of genre Flemish Caravaggisti.